It’s tempting to think about what destination China might reach in
20 years. Will it be a seething pot of nationalist hate? A rich,
super-large Singapore, warlike only in the board room? The common
conceit of most non-Chinese policy planners is that in 20
years China will be a “near peer” power, bumping up against the
United States in terms of economic and possibly military might.
Thus, this logic runs, the next 20 years must be devoted to either
engaging China to shape its rise or working to contain the country
so it doesn’t acquire more power than the current global power
leaders. But the fact is that no one knows what China will look
like in 20 years.
Joshua Cooper Ramo is Managing Partner in the office of
John L. Thornton, Senior Advisor to Goldman Sachs and professor
at Tsinghua University. Ramo’s advisory work focuses on
political, economic and business areas with a particular emphasis
Different media of expression make intelligible the creative industries in unforeseen and novel ways that depart from the self-referential script of policy discourse and its circumscribed ‘mapping’ exercises. It must be said, however, that all idioms and modes of expression are necessarily self-referential. This is how they obtain their distinct grammar and singularity. In this sense, modes of expression (media of communication) can be likened to the concept of genre.
International Invitation for an Exhibition of a Conceptual Design for New Xisi Bei Street, Beijing
Exhibition Period: June 16 – 19, 2007
Exhibition Place: National Library, 39 Baishiqiao Road, Beijing 100081, China
Republished with permission by Keru Feng, assistant curator
General Description of the Project
This article was published in Commercial Real Estate #4 April/May
2007. Republished with permission.
For more information check Commercial Real Estate in China
The creative industries, which comprise of the arts, media, and
design, are among the fastest growing economic sectors globally. The
global market value of the creative cluster was estimated at more
than 1 trillion U.S. dollars last year. Since Richard Florida
published "The Rise of the Creative Class" (2002) it became a must-
implement for civic policymakers, city planners, developers, artists,
arts administrators and public officials. Recently the Chinese
government decided to invest more in the Creative Industries and its
effect can be felt. Besides being a concept, the creative industries
need a dynamic and stimulating urban and artistic environment from
[here's a paper I wrote from a couple of weeks ago that has some relevance for the bei-ci project]
Tools, Talents and Turnovers: New Technologies in Design
Berlin, 12-13 May, 2007
Session: Working Environment and New Business Models
'Can Organized Networks Make Money for Designers?'